She travels to an English seaside resort, pursued by the love-stricken Astaire, whom she mistakes for the hired correspondent in her divorce case. I've just managed to live down one partnership and I don't want to be bothered with any more. Pan worked mostly on the group numbers, while Gould was responsible for the overall look and camera angles. Mimi and Guy dance around her hotel suite on the sofas, chairs, and tables in a euphoric expression of freedom and love. Now that he has found her, and that she loves him, too, they can dance on the furniture together!
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For subsidiary humor, there are Alice Brady as the talkative aunt; Edward Everett Horton as the confused lawyer. Edit page. It was a spectacular thing on the hazardous side, in which the climax of the number was reached as we waltzed around the room at top speed going over chairs and tables as if they were part of the floor.
He then proceeds to pursue her relentlessly, despite her refusals to give him her name or number, which leads to a car chase where he traps her on a country road by putting up a fake Road Closed sign.